Summary: Kurt Vonnegut advised against using semicolons, but he employed them regularly in his own writing. Learn about the eight different ways he used semicolons: What Vonnegut Said about Semicolons When the topic of semicolons arises, inevitably, someone will mention Kurt Vonnegut. Even people who don’t spend their lives writing, editing, and thinking about punctuation […]
This post is part of a series on the Virginia Edition of Robert A. Heinlein’s works. It’s been almost a year since I reviewed the first volume of the Virgina Edition, I Will Fear No Evil. I didn’t intend for there to be such a long hiatus, but things got in the way. Also, there is the
I have written before about my obsession with Benjamin De Casseres. I lay the blame for this obsession squarely at Mythgard‘s feet, as I first discovered him through a 1936 pamphlet he wrote titled “The Individual against Moloch” while researching the paper I went on to present on Moloch at Mythmoot II. And I blame the
The Guardian book blog posted a piece earlier today arguing that fantasy cannot build its imaginary worlds in short fiction. The crux of the argument is that fantasy authors need not just novels, but mega-novels (single stories split into multiple volumes, like The Lord of the Rings or A Song of Ice and Fire) to build out their ideas. Rather than simply acknowledging that
The Virginia Edition is the definitive collection of the works of Robert A. Heinlein. Authorized by The Heinlein Prize Trust – the author and his wife’s estate, which includes most of the copyrights to his work – the set includes “authoritative” texts of Heinlein’s writings, along with several volumes of correspondence and introductory essays to each volume
So, I’m home from Mythmoot III, where yesterday I presented my paper on Ursula K. Le Guin’s The Left Hand of Darkness. Overall, I think it went pretty well. Twenty minutes always goes by fast. I spent a little too much time on the setup rather than my argument and examples, but I was at
So in an hour or so, I’ll be off to Baltimore for Mythmoot III: Ever on…, the third installment of the (nearly) annual academic/fan gathering for the Mythgard Institute. As with last year, I will be presenting a paper. This year, my subject is Ursula K. Le Guin’s The Left Hand of Darkness, specifically about her descriptions of
I’m always fascinated when seemingly different subjects of my academic focus intersect in unexpected ways, as happened to me recently with Ursula K. Le Guin and Benjamin De Casseres. Perhaps I shouldn’t be surprised: It may be that I am drawn to both subjects because I had already identified certain similarities subconsciously. However, the rising to consciousness of those
This won’t be a long post. Because, what exactly does one write about someone you never knew, but who made you laugh, think and cry more than anyone else in your life? Robin Williams died today at the age of 63 from apparent self-asphyxiation. Excepting people I’ve known, the news of his death has probably
In my last post I noted that Ruth Graham’s argument distinguishing young adult fiction from more weighty stories is a perennial lamentation made by stalwarts of Literature. In a previous iteration last December, Terry Teachout descried the critical attention being given to “pop culture” over “high art,” and in my response I showed that such
